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The good garden blog is about sharing garden inspiration and ideas from historic gardens around the world and some right next door.  Garden stories explore garden history, design, and the garden people behind famous and not-so-famous gardens.  My garden photographs span dozens of places across 5 continents.  Please join me in celebrating good garden design.

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   A split in the garden path adds interest, a choice, and also serves a practical purpose of making it easier to maintain the beds.

A split in the garden path adds interest, a choice, and also serves a practical purpose of making it easier to maintain the beds.

   A painterly combination: perennial salvia, ladies mantle, and cat mint.  Note how the little gem spruce creates a focal point and draws the eye to the back.

A painterly combination: perennial salvia, ladies mantle, and cat mint.  Note how the little gem spruce creates a focal point and draws the eye to the back.

   Barberry and lamb’s ear provide a clean backdrop for a swath of white peonies.

Barberry and lamb’s ear provide a clean backdrop for a swath of white peonies.

   Ribbon grass, white phlox, and goats beard.  One of several combinations that mix texture and shadow and a good example of arranging plants by their height.

Ribbon grass, white phlox, and goats beard.  One of several combinations that mix texture and shadow and a good example of arranging plants by their height.

   Spring anemone add a light, meadow-like quality to this garden section.

Spring anemone add a light, meadow-like quality to this garden section.

   Stone steps and terraced planters take advantage of the natural slope.  Note how their simplicity adds to the overall composition.  Gro  -low sumac provides a connection to a more wild area below.

Stone steps and terraced planters take advantage of the natural slope.  Note how their simplicity adds to the overall composition.  Gro-low sumac provides a connection to a more wild area below.

   Pine, boxwood and Rodgersia   show how even an all green planting can create interest through shape, tone, and texture. 

Pine, boxwood and Rodgersia show how even an all green planting can create interest through shape, tone, and texture. 

   Stone pillars and a pair of yews mark the entrance to a section of the garden.  Ribbons of blue hosta     and pachysandra echo and soften the curve of the path.

Stone pillars and a pair of yews mark the entrance to a section of the garden.  Ribbons of blue hosta and pachysandra echo and soften the curve of the path.

   A ceramic urn filled with begonias calls our attention and draws us further into the garden.

A ceramic urn filled with begonias calls our attention and draws us further into the garden.

   A weeping white pine completes a wonderful visual triangle with the winding stone stairs, blue   hosta  , and   L  amium  . 

A weeping white pine completes a wonderful visual triangle with the winding stone stairs, blue hosta, and Lamium. 

   A gargoyle keeps watch over the back garden   and adds a surprise, personal element.

A gargoyle keeps watch over the back garden and adds a surprise, personal element.

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   A split in the garden path adds interest, a choice, and also serves a practical purpose of making it easier to maintain the beds.        A painterly combination: perennial salvia, ladies mantle, and cat mint.  Note how the little gem spruce creates a focal point and draws the eye to the back.        Barberry and lamb’s ear provide a clean backdrop for a swath of white peonies.        Ribbon grass, white phlox, and goats beard.  One of several combinations that mix texture and shadow and a good example of arranging plants by their height.        Spring anemone add a light, meadow-like quality to this garden section.        Stone steps and terraced planters take advantage of the natural slope.  Note how their simplicity adds to the overall composition.  Gro  -low sumac provides a connection to a more wild area below.        Pine, boxwood and Rodgersia   show how even an all green planting can create interest through shape, tone, and texture.         Stone pillars and a pair of yews mark the entrance to a section of the garden.  Ribbons of blue hosta     and pachysandra echo and soften the curve of the path.        A ceramic urn filled with begonias calls our attention and draws us further into the garden.        A weeping white pine completes a wonderful visual triangle with the winding stone stairs, blue   hosta  , and   L  amium  .        A gargoyle keeps watch over the back garden   and adds a surprise, personal element.     thegoodgarden|bonniegarden|wisconsin|8684.jpg

A very personal thing

David July 7, 2015

“I love being in my garden.  There is movement and pause.  Then another plant beckons and moves my eye further along, until it comes to rest on a shrub or tree.  These ribbons of plants flow along the paths, taking their turn in the process.”

In my quest for inspiration from the garden next door, I am pleased to share Bonnie Buchanan’s Appleton, Wisconsin garden.  Her garden is like a story.  It has a clear beginning and a series of sections connected by a delightfully meandering garden path.  Some elements build momentum and move us through; other features make us stop and reflect.  Most of all: Bonnie’s is a gardener’s garden.   Her love and knowledge of plants combines with her painterly ability.

Her affection for plants started in childhood.  There were stories of her great grandmother Louise, whose vegetable garden provided for her immigrant family.  But it was Louise’s cutting garden of tall flowers that captured Bonnie’s imagination.  And Bonnie’s mom, Iris, tended her own garden “full of daisies and phlox, and a long pathway of roses.”

When Bonnie got serious about gardening she turned to other gardeners and books. “I learned by walking around my neighborhood.  I took extensive notes on what thrived, what looked good with what.  I remember seeing a home in Green Bay with masses of coneflowers, and a Door County garden with beds of yarrows in several colors.  I had not seen plants massed like that and was so impressed.  At another garden, they had put in flagstones with a curve that didn’t go anywhere.  It was so visually inviting and made you look deeper. I also learned what colors I liked, a range of quiet, soothing colors.”

The front garden can be seen from down the street; it draws you in with a warm welcome.  A barberry hedge marks the beginning of the planted garden.

The front garden can be seen from down the street; it draws you in with a warm welcome.  A barberry hedge marks the beginning of the planted garden.

Bonnie’s front garden can be seen from down the street; it draws you in and creates a warm welcome.  A patch of mowed grass connects the garden to the rest of the neighborhood; then a bold barberry hedge marks the beginning of the planted garden.  Just behind it, a stone lined path offers an invitation to enter.  It is this path that forms the backbone of the garden.  Geranium, lamb’s ear, and lamium are arranged in intertwined ribbons; one picks up where the other leaves off.  Boxwood, Muji pine, and weeping spruce provide structure and offer places to rest the eye.  Honey locust and hemlock create a sense of shelter.   At each resting point, something catches your attention, draws you further into the garden.  And the garden has been designed to look as good from inside as outside.

Perennials define this garden.  Bonnie explains, “You invest in them and they become a part of your life.  To see them up close, surviving these winters, welcoming you in the spring. They evolve: the leaves emerge first, then the stalks, then the closed buds opening into flowers.   They bring so much pleasure.  They take their time to renew, to return their strength into the roots, the earth, and then they go quiet.  From a design standpoint, one must think about pacing the blooms, about where you plant your material.  You have to consider color, movement, and shading.  I have become so interested in that.”

Many of her plants have a deep personal meaning.  “I have lily of valley from my great grandmother Louise.  White variegated hosta from a dear friend has moved with me three times.  My 35 year-old white peonies were originally planted by my son Gus.  And the daisies are those my mom planted for me on my 50th birthday.  Checking on these plants is a ritual that is important to me”.

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Bonnie's plant palette ranges from soothing white, silver, and blue, to pops of purple and red.  

Enlightened by her own mistakes, Bonnie urges new gardeners to be sensitive to the physical characteristics of their land: wind, water, and especially light.  “Plants like sunshine.  Even the shade lovers like a bit of sunshine. They’ll do a little better. “  Also, “I think people should embrace pruning. I learned this from more experienced gardeners, and it works. Some people are reluctant to cut off a blossom but many plants need this for their long-term health. I hate to see plants being replaced that could have been saved by thoughtful pruning.” And she is thoughtful about finding plants that will not just survive, but that will reach their full potential, “I never plant anything that doesn’t thrive in zone 4.  I learned the hard way.”

“Most of all garden making should be personal.  People should find in their gardens something that they want to express.  Make the kind of garden that brings them comfort and joy.  I am always pleased to be in my garden.  I believe that people should feel the same about their own garden.” 

Here’s to finding what works for each of us and getting inspiration from each other.  Happy gardening!

 
 
See this post as it appeared in the Post-Crescent.

See this post as it appeared in the Post-Crescent.

In Arts and crafts Tags Garden inspiration, plant combinations, plant ideas
6 Comments
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Garden magic

David July 3, 2015

Line, form, texture, scale, balance, emphasis, and repetition are critical to create beautiful garden spaces.  Together these are the building blocks toward a unified design and need to be chosen carefully for a design to feel right.

However, during my recent trip to San Francisco’s Japanese Tea Garden, I was struck by the importance of small details in good garden spaces.  These don’t hit you over the head at first; they often go completely unnoticed.   I believe that even if we only absorb them sub-consciously, these details create magic in the garden, making the ordinary extraordinary.

One great example of this for me is the series of stepping stones that cross the small stream pictured above. 

On one level, the stones are just a way to cross from one part of the garden to another.

At closer inspection, these are gardens unto themselves, full of mosses and ferns; miniature gardens in the midst of a larger space.  And there is something powerful in the contrasting layers: the hard, smooth top of the stone honed by unforgiving foot traffic; the dark waters of the stream below; and in the impossibly small middle space a lush green garden.

This Japanese Tea garden is the oldest Japanese public garden in the US.  Japan was only opened to the West in 1853 and by the turn of the century all things Japanese were popular.   This garden is one example.  In an effort to introduce Americans to Japanese culture, the 1894 San Francisco California Midwinter International Exposition included a Japanese Village exhibit. 

Makoto Hagiwara with his daughter in 1924. Source: San Francisco Public Library.

Makoto Hagiwara with his daughter in 1924. Source: San Francisco Public Library.

Landscape architect Makoto Hagiwara expanded this work into a 5-acre garden and his family worked on the garden until 1942. At that point, the family was forced to leave their home for an internment camp in Utah.  During the war the garden was renamed the Oriental Garden and many of the elements Hagiwara introduced were lost.  In 1952 the name reverted back to the Japanese Tea Garden.

Balance, harmony, form, texture are important for sure.  But let’s not forget to appreciate the small details that make a good garden great.

See more Japanese garden stories here.

Photo of the garden from the World's Fair, including the original arched bridge. Source: San Francisco Public Library. 

Photo of the garden from the World's Fair, including the original arched bridge. Source: San Francisco Public Library. 

 
 
In Japanese Tags San Francisco, California, Tea Garden, 1894, Makoto Hagiwara, Japanese Tea Garden
2 Comments
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Of castles and gardens

David June 26, 2015

Looking for a formal garden element to add history to your castle? You might want to consider a parterre broderie.  ‘Parterre’ refers to a flat garden divided into planting beds, and ‘broderie’ means embroidery, referring to a lace-like design.  This style combines symmetrical patterns of flowing lines and punctuation.  To me these designs have a musical feel. Especially fun to see from above, just let your eye trace the patterns and appreciate the precision of the complex curves and symmetry.  These gardens can be framed in box or just be elaborately edged with turf grass.  The key is the contrast between the plant material and an earth or gravel base that lets the pattern pop.

This interest in creating contrasting surfaces and textures dates from the late 1500’s and was refined by the Mollet family of French royal gardeners.  Claude Mollet provided patterns for parterre gardens in his 1612 book Theatre des Plans et Jardinages and his son Andre Mollet reinforced the importance of the broderie garden in his 1651 book Le Jardin de Plaisir, “The pleasure garden.”  In it he explains that the broderie garden should be placed at the rear of the house, close enough to be seen from windows above. 

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We can see famous examples from the 1700’s at the Chateau de Versailles, Het Loo Palace, and Hampton Court.  The broderie garden remained popular until the picturesque style took over.  In recent times, broderie gardens have been incorporated by designers seeking to add a formal touch or to give a garden a sense of history.

The parterre broderie from above. Found on viajerosdelmisterio.es.

The parterre broderie from above. Found on viajerosdelmisterio.es.

The beautiful example above was installed recently, around 1900, at Castle de Haar.  The castle dates from 1390 and its function as a fortress can still be seen in the surrounding moat.  By the 1800’s the castle had passed through several families and fallen into ruin.  Around 1890, a new heir to the castle, Etienne van Zuylen, married Helene de Rothschild.  Helene’s family financed a complete restoration for the couple (despite dis-inheriting her for marrying a Roman Catholic). Two-hundred rooms and 30 bathrooms were renovated and a modern kitchen and electrical system were installed.  The project took over 20 years!

For the garden they selected designer Hendrik Copijn who installed an English picturesque park.  Not wanting to wait to see the full effect of the design, he shipped in over 7,000 mature trees.  Close to the castle, formal gardens were installed in the style suggested by Andre Mollet’s 1651 text.  This style is more appropriate to the architecture of the castle and grounds.

Castle de Haar is located outside of the wonderful medieval Dutch town of Utrecht. Utrecht’s canaled center city area is full of lively restaurants, a weekly farmers market, and of course a cloister garden.  Don’t forget to visit the music box museum which offers a tour where many of the pieces are played.  A real treat.  You’ll need a car to get to the castle, but driving through the beautiful countryside is worth it.  Because of the location of the visitor’s center, you’ll enter the garden from the rear so the broderie and the rose gardens are the first you’ll see.  Don’t miss the walking paths through the picturesque woodland.  Views of the castle framed by the pond are just perfect.

 
Garden architect, Hendrik Copijn (1842-1923). Source unknown.

Garden architect, Hendrik Copijn (1842-1923). Source unknown.

Patrons Helene de Rothschild and Etienne van Zuylen at the castle before the renovation.  Source: campusblog.nl

Patrons Helene de Rothschild and Etienne van Zuylen at the castle before the renovation.  Source: campusblog.nl

 

In French formal Tags Castle de Haar, Utrecht, Hendrik Copijn, Helene de Rothschild, Etienne van Zuylen
2 Comments
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