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The good garden blog is about sharing garden inspiration and ideas from historic gardens around the world and some right next door.  Garden stories explore garden history, design, and the garden people behind famous and not-so-famous gardens.  My garden photographs span dozens of places across 5 continents.  Please join me in celebrating good garden design.

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"Bird food" for thought

David April 17, 2015

Visiting natural spaces such as the Canaan Valley National Wildlife Refuge in Davis, West Virginia, gives me inspiration for the wild garden.  I learn what combinations look good together, how to match a plant’s needs with the right garden spot, and what plants will best maintain a healthy eco-system.

Wild garden concepts make so much sense to us today.  Native plants have the genetics to survive our crazy weather; they play an important role in attracting wildlife that fosters a strong ecosystem; and provide interest year round.  As a result they require less watering, chemicals, and replacing than non-natives do, and have positive effects on the environment beyond the garden itself.

Wild gardening wasn’t always popular. For most of history, gardening meant the organization and control over nature. Native plants were generally considered weeds and in the 1800’s, the world went mad for exotics discovered by plant hunters all over the world.  The fashion wasn’t to tuck these discretely into borders but to let them scream by laying them out as single specimens or in elaborate patterns.  Not to forget our love of chemicals to control nature. As late as the 1970’s, we were spraying DDT on our properties to make sure nothing got too wild.  Today, many of us use disease-resistant, fruitless trees.  An advertisement for these trees claims, “just as appealing without the mess!”  Who wants all that pollen, messy fruit, or the nuisance of birds spreading seeds helter-skelter around the garden.

Some garden designers and scientists have bucked the trend toward the tidy and advocated a more natural, wild garden style.  In the early 1800’s we see Bernard McMahon encouraging gardeners to incorporate native plants into the garden in his American Gardener’s Calendar.  This went against the fashion of importing European plants to America.  William Robinson’s The Wild Garden in England of 1870 introduced planting schemes based on nature, though he promoted the use of both natives and hardy exotics. In the 1960’s Rachel Carson changed the world with her best-selling Silent Spring where she advocated for environmental sustainability.

My dad recently shared Douglas Tallamy’s story in The New York Times, “The Chickadee’s Guide to Gardening.”  Tallamy adds to this discussion by writing about the importance of choosing productive plants to nurture life in our gardens. 

He makes his points in a way that we can all understand.  In his column he looks at the difference between a white oak and a Bradford pear in his own backyard.  The white oak naturally attracts insects, which invite the birds that feed on them.  In contrast, the Bradford pear, an ornamental tree from Asia bred to be insect and disease resistant, plays almost no role in supporting wildlife. No insects means no birds.  Tallamy explains, “What we plant in our landscapes determines what can live in our landscapes. Controlling what grows in our yards is like playing God.  By favoring productive species, we can create life, and by using nonnative plants, we can prevent it.”

Since reading his article, I have thought about the power of planting "productive" plants in a new way.  I am glad I put in those serviceberries, whose fruit is so enticing that birds snatch up them all up before any can fall to the ground.  But I am feeling a little guilty about that disease-resistant fruitless apple tree.  Was it the right choice? 

Food for thought as we work on our spring gardens.

Douglas Tallamy is a professor of entomology and wildlife ecology at the University of Delaware. He is also the author of “Bringing Nature Home: How You Can Sustain Wildlife With Native Plants.”

If you are into wild garden style, check out more wild garden stories here.

 
 
In Wild Tags Canaan Valley Nature Refuge, Davis, West Virginia, plant combinations, Douglas Tallamy, Chickadee's Guide to Gardening, native plant
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Happy birthday John Loudon

David April 17, 2015

John Claudius Loudon. Royal Horticultural Society, Lindley Library.

John Claudius Loudon. Royal Horticultural Society, Lindley Library.

Author Jane Webb. Source Birmingham City Council.

Author Jane Webb. Source Birmingham City Council.

This month marks the 232nd birthday of John Claudius Loudon, born on April 8, 1783 in Scotland.  At 20, he moved to London to become a landscape designer, initially creating picturesque gardens that were popular then.  Later, he focused on the selection and display of trees and shrubs in a style that he called gardenesque.  John was a prolific garden writer and tailored his work to the growing middle class and the needs of smaller gardens.  Through books such as An Encyclopedia of Gardening, Landscape Gardening and Landscape Architecture, and his monthly Gardener’s Magazine, he reached a growing audience.  He worked on these with his wife, author Jane Webb.  Together, they were the HGTV of their time, demystifing design and providing advice on how to beautify the home.

The scope of their work is exemplified in the full title of The Suburban Gardener, and Villa Companion (1838) which reads, “The choice of a suburban or villa residence, or of a situation on which to form one; the arrangement and furnishing of the house; and the laying out, planting, and general management of the garden grounds; the whole adapted for grounds from one perch to fifty acres and upwards in extent; and intended for the instruction of those who know little of gardening and rural affairs, and more particularly for the use of ladies.”  The book was innovative on many levels:  it covers all aspects of design and gardening, from chimney styles to caring for soil; it leads with tips for the smaller house and property; and its target was clearly the middle class, especially novices and women. 

John’s gardenesque style started as an evolution from the picturesque, where naturalistic groupings were replaced with specimen trees and shrubs: “In order to produce gardenesque effect, the beauty of every individual tree and shrub, as a single object, is to be taken into consideration… in the gardenesque, the beauty of the tree consists in its own individual perfections, which are fully developed in consequence of the isolated manner in which it has been grown.”   Over time, the style grew to include geometric beds filled with specimen plants in colorful patterns, especially as exotic annuals became more affordable.  In both cases, the design intent is to allow the individual plant to shine.

John moved garden-making beyond the picturesque style where it was sometimes hard to tell if a landscape was a garden or just nature-produced pastoral scene, and educated gardeners to be more thoughtful about plant selection.

Today we see the gardenesque everywhere: from European villas to Disney theme parks.  And the specimen cherry tree in front of the suburban house that I grew up in is an example of a gardenesque feature.  Botanical gardens and arboretums are great places to see gardenesque style since they usually dedicate a fair bit of space to showing off the individual plant.   

For this post, we go to one of the great pleasure gardens in the world, Longwood Gardens.  Longwood is actually a series of large, distinct gardens that range from several monumental water features to a wild meadow to a topiary garden to a learning garden.  The Oak and Conifer Knoll above captures the spirit of the gardenesque where trees and shrubs are part of an overall composition, yet are placed so that they can reach their full potential and beauty. 

Happy birthday John Claudius Loudon and thanks for reminding us of the power of the plant.  See more gardenesque examples here.

 
 
In Gardenesque Tags Longwood Garden, Wayne, Pennsylvania, plant ideas, John Claudius Loudon, Jane Webb
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Good design never goes out of style

David April 10, 2015

This side garden in Atlanta, Georgia is a wonderful space where scale, geometry, symmetry, and simplicity work together.

A matching pair of brownstone urns and a few steps down mark the entrance to the garden.  Set in a rectangle that lines up perfectly with a side porch, plantings and stone paths frame a central water feature.  On both sides an allee of crape myrtles creates a sense of enclosure and shelter.  Their colorful bark stands out on this rainy spring day.  Tall columns and a grove of bamboo pull the eye to the back of the garden.  The choice of plant material gives this garden a sense of place, but it’s the monumental stone eagle that says ‘we are in America.’

This is a large garden that could easily be scaled for a smaller space.   And the simple plant palette - boxwood, bamboo, crape myrtle, ivy, and miscanthus – would work well in many situations. 

Philip Trammell Shutze, ca. 1920 / unidentified photographer. Allyn Cox papers, Archives of American Art, Smithsonian Institution.

Philip Trammell Shutze, ca. 1920 / unidentified photographer. Allyn Cox papers, Archives of American Art, Smithsonian Institution.

Philip Trammell Shutze designed the Swan House and garden in 1928 for the Inman family, whose wealth came from their cotton brokerage business.  Shutze was educated in the US and won the Rome Prize to attend the American Academy in Rome in the 1915.  Georgia Tech School of Architecture professor Robert Craig describes Shutze as,“…an academic architect of the first order, known during his career as America's greatest living classical architect. The Columbus native was a designer of skill, with a masterly sense of proportion and scale, and a talent seldom rivaled by his contemporaries. For forty years he designed many of Atlanta's most elegant homes and buildings.” Source: Robert M. Craig, "Philip Trammell Shutze (1890-1982)." New Georgia Encyclopedia. 04 November 2013.

The Swan House gardens are done in the Italian renaissance style, which Shutze experienced during his time in Italy.  For the well-to-do of the time, this approach was coming back into favor.  For example, garden designer Diego Suarez started work on the Italian renaissance masterpiece at Vizcaya in 1914 and at Villa Acton in 1908, where he used columns similar to those at Swan House. 

Sitting in Swan House’s side garden, I was struck that this is not just a calming rectangular space.  Instead it represents 2,000 years of garden design, handed down, borrowed, and built upon over time.  The core elements of this garden date back to some of the earliest civilizations: around 100 CE, the Romans borrowed similar ideas of axis, symmetry, and geometry from the Greeks, Persians, and Egyptians.  In the 1500’s the Italians went back to the Romans for garden inspiration.  And here we sit in 1920’s America, enjoying ideas borrowed from the Italian renaissance.   

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Good garden design never goes out of style. 

American Classicist: The Architecture of Philip Trammell Shutze by Elizabeth Meredith Dowling is a wonderful book about Shutze's education, professional contribution, and life as an "old eccentric Southern bachelor."  The photography of Timothy Hursley allows us to tour his many projects.  The old photographs of Shutze in Italy, from his own collection and the Smithsonian, particularly captured my imagination and are worth a look.  They provide insight into formative experiences that influenced his later work.  Here is just a glimpse at a few examples.

 

Philip Trammell Shutze with sketchbook overlooking the Piazza Venezia in Rome around 1917. Source: E.M. Dowling, American Classicist. Shutze Collection.

Philip Trammell Shutze with sketchbook overlooking the Piazza Venezia in Rome around 1917. Source: E.M. Dowling, American Classicist. Shutze Collection.

Shutze and colleagues making a rubbing of inscriptions at the base of Trajan's Column, Rome. Source: E.M. Dowling, American Classicist. Smithsonian Institution.

Shutze and colleagues making a rubbing of inscriptions at the base of Trajan's Column, Rome. Source: E.M. Dowling, American Classicist. Smithsonian Institution.

A page from Shutze's sketchbook showing the technique used to record molding details.  Source: E.M. Dowling, American Classicist. Shutze Collection.

A page from Shutze's sketchbook showing the technique used to record molding details.  Source: E.M. Dowling, American Classicist. Shutze Collection.

 
 
 

In Italian renaissance Tags Philip Trammell Shutze, Atlanta History Center, Swan House, garden history, historic gardens, garden ornament, Elizabeth Meredith Dowling, Timothy Hursley, plant ideas, plant combinations
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